Numbers in brackets indicate the start of a page in the original text.
Administrative Rhetoric from Kenneth Burke. A Rhetoric of Motives (Berkeley, CA: U of California P, 1962), 158-166.
Excerpts from“Administrative” Rhetoric in Machiavelli
[read the complete text of Machiavelli's The Prince]
[emphasis added]
[158] Machiavelli’s The
Prince can be treated as a rhetoric insofar as it deals with the producing of effects upon an audience.
Sometimes
the prince’s subjects are his audience; sometimes the rulers or inhabitants of
foreign states are the audience, sometimes particular factions within the
State. If you have a political public in mind, Machiavelli says in effect, here
is the sort of thing you must do to move them for your purposes. And he
considers such principles of persuasion as these: either treat well or crush;
defend weak neighbors and weaken the strong; where you foresee trouble, provoke
war; don’t make others powerful; be like the prince who appointed a harsh
governor to establish order (after this governor had become an object of public
hatred in carrying out the prince’s wishes, the prince got popular acclaim by
putting him to death for his cruelties); do necessary evils at one stroke, pay
out benefits little by little; sometimes assure the citizens that the evil days
will soon be over, at other times goad them to fear the cruelties of the enemy;
be sparing of your own and your subjects’ wealth, but be liberal with the
wealth of others; be a combination of strength and stealth (lion and fox); appear merciful, dependable, humane,
devout, upright, but be the opposite in actuality, whenever the circumstances
require it; yet always do lip-service to the virtues, since most people
judge by appearances; provoke resistance, to make an impression by crushing it;
use religion as a pretext for conquest, since it permits of “pious cruelty”;
leave “affairs of reproach” to the management of others, but keep those “of
grace” in your own hands; be the patron of all talent, proclaim festivals, give
spectacles, show deference to local organizations; but always retain the
distance of your rank (he could have called this the “mystery” of rule); in
order that you may get the advantage of good advice without losing people’s
respect, give experts permission to speak frankly, but only when asked to
speak; have a few intimates who are encouraged to be completely frank, and who
are well plied with rewards.
[160] True, though both books are concerned with the rhetoric of advantage, [161] principles of amative persuasion rely rather on fraud than force. But the point to note for our purposes is that in both cases the rhetoric includes a strongly “administrative” ingredient. The persuasion cannot be confined to the strictly verbal; it is a mixture of symbolism and definite empirical operations. . . .
We might put it thus: the nonverbal, or nonsymbolic
conditions with which both lover and ruler must operate can themselves be
viewed as a kind of symbolism having persuasive effects. For instance, military
force can persuade by its sheer “meaning” as well as by its use in actual
combat. In this sense, nonverbal acts and material instruments themselves have
a symbolic ingredient. The point is particularly necessary when we turn to the
rhetoric of bureaucracy, as when a political party bids for favor by passing
measures popular with large blocs of
voters. In such a case, administrative acts themselves are not merely “scientific” or “operational,” but are designed also with an eye for their appeal.
Popular jokes that refer to policemen’s clubs and sex organs as “persuaders” operate on the same
principle. For nonverbal conditions or objects can be considered as signs by
reason of persuasive ingredients inherent in the “meaning” they have for the
audience to which they are “addressed.”
[162] The use of symbols to induce action in beings that normally communicate by symbols is essentially realistic in the most practical and pragmatic sense of the term. It is neither “magical” nor “scientific” (neither ritualistic nor informational) for one person to ask help of another. . . .
[166] In this last chapter, the universal, sacrificial
motives are adapted to a competitive end. The Christian vision of mankind’s
oneness in the suffering Christ becomes the vision of Italians’ oneness in the
suffering Italy. Since Italy actually is invaded, the analogy is not forced as
it is in the vocabulary of imperialist unction. (Contrast it, for instance,
with the building of empire under slogans like “the acceptance of grave world
responsibility,” or “the solemn fulfillment of international commitments,” when
the support of reactionary regimes was meant.) But whether the nationalist
exaltation be for conquest or for uprising against conquerors, in either case
there is the possibility of identification between ruler and ruled. Hence the
new prince, in bringing about the new order, “would do honor to himself and
good to the people of his country.” And by such identification of ruler and
ruled, Machiavelli offers the ruler precisely the rhetorical opportunity to
present privately acquisitive motives publicly in sacrificial terms.
Machiavelli is concerned with political cooperation
under conditions, which make such cooperation in part a union of
conspirators.
Where conspiracy is the fact, universality must often be the fiction. The
ambiguity in Machiavelli is thus the ambiguity of nationalism itself, which to
some extent does fit with the ends of universal cooperation, and to some extent
is conspiratorial. The proportions vary, with the Hitlerite State probably
containing as high a percentage of the conspiratorial as will be attained in our
time, though the conspiratorial motive is now unusually strong in all
international dealings. Sovereignty itself is conspiracy. And the pattern is
carried into every political or social body, however small. Each office, each
fraternal order, each college faculty has its tiny conspiratorial clique.
Conspiracy is as natural as breathing. And since the struggles for advantage
nearly always have a rhetorical strain, we believe that the systematic
contemplation of them forces itself upon the student of rhetoric. Indeed, of
all the motives in Machiavelli, is not the most usable for us his attempt to
transcend the disorders of his times, not by either total acquiescence or total
avoidance, but by seeking to scrutinize them as accurately and calmly as he
could?
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