Strategies for persuading different kinds of audiences

Contents

    1. Be sensitive to your audience and speech situation.
      1. Every audience is different; therefore, it's impossible to say what general strategies will work for a particular situation.
      2. The means of persuasion arise from a given situation.
        1. Aristotle defined rhetoric as "the ability to discover all the available means of persuasion in any given situation" (Rhetoric,  1355b, 25)
        2. The speaker must look for the means of persuasion that he or she finds in a particular situation--the means of persuasion will change from occasion to occasion.

    2. Look for the specific points of disagreement and agreement.
      1. Ask where this audience disagrees with you, as well as where they agree.
        1. The Greeks and Romans called a point of disagreement stasis for where the argument stands or stops. We would call them issues. An issue is a point of contention or, at least, a question the audience may have about a topic.
          1. Once you identify the points of disagreement, you can:
            1. focus your arguments on these points
            2. or shift the focus to some other aspect of the speech in order to bring the audience together.
          2. The important issues about any given topic can change from one rhetorical situation to another. For example, one audience may be concerned about how much a product costs, while another more affluent audience may be more concerned with the prestige factor of the product.
          3. Audiences vary in the degree of salience of the issues.
            1. The salience of an issue is the degree to which the issue is conspicuous or prominent for the audience (Something that is salient projects or jutts beyond a line or surface; protruds).
            2. A speaker can bring certain issues to the rhetorical situation, but he must be most concerned with the issues that are salient for the audience.
            3. Strategies
              1. When topics are highly salient, listeners are more likely to be familiar with the central issues.
              2. When topics are highly salient, listeners will be more resistant to change
              3. When topics are highly salient, increasing numbers of cogent or strong arguments you offer on behalf of your ideas has a positive influence on listeners; when saliency is low, increasing numbers of both strong and weak arguments enhances the persuasive effect.
              4. An audience will be more highly critical if your position challenges their central values.
              5. Quote salient authorities in your persuasive and actuative speeches.
              6. Do not approach your message only in terms that are important or salient to you. Be sure to begin your planning with issues that are salient to you audience.
        2. There are certain stock issues
          1. In a debate
            1. Is there a compelling need for a change?
            2. Is that need inherent in the very structure of the present situation?
            3. Will the proposed solution meet the need presented?
            4. Is the solution workable and practical?
            5. Do the advantages of the proposed solution outweigh the disadvantages?
          2. Problem solving
            1. Is there a problem?
              1. What are the symptoms?
              2. How serious is it?
              3. What caused the problem?
            2. What are the appropriate criteria by which to evaluate a solution?
            3. What are all the possible solutions to the problem?
            4. Which of these solutions best fits the criteria established?
            5. How can the solution be put into effect?
        3. Strategies: You can use points of agreement:
          1. to emphasize what the speaker and the audience have in common.
          2. as a premise or starting point on which to build an argument about some point of disagreement.
      2. Ask why this audience disagrees with you.
        1. Ask yourself:
          1. Do they disagree for well-thought-out reasons?
          2. Do they disagree for emotional reasons?
          3. Do they disagree because of certain values that they hold?
          4. Do they disagree for reasons that have nothing to do with the substance of my message--such as, the sound of my name?
          5. Do they disagree because this issues affects a whole network of interconnected values?
        2. Strategies: Depending on why they disagree, you can plan your response.
          1. You could address the specific rational reason for disagreement and give counter-arguments.
            1. Do so if:
              1. you have an initially hostile audience
              2. There is a high probability that your audience will be exposed to counter-arguments
              3. The audience is well educated
            2. You could address the arguments directly or indirectly, depending on the audience and topic.
          2. if they are willing to accept it, you may show them how an emotional objection does not apply.
          3. You could show how your message is really consistent with the values that they hold.
            1. either a higher values than the one that creates the objection.
            2. or the very same value that causes them to object.
          4. You could ignore irrelevant objections, or you could show how they are actually advantages.
          5. You may try to deal with the whole network of values if possible, or you could try to isolate the particular issues that you are addressing.


    3. Consider what they know and how they feel about the speaker, topic, occasion and themselves.
      1. What the audience know and feels can form premises for your arguments. The audience helps persuade itself.
      2. You can map out the audience on scales of opinion and knowledge.
        1. informed--------------------------------uninformed
        2. favorable------------neutral---------------hostile
        3. (These scales refer to what they audience knows and feels about the topic, but this can involve the other issues as well.)
      3. From these scales, we can create several different audience profiles:
        1. informed favorable
        2. informed neutral
        3. informed hostile
        4. uninformed favorable
        5. uninformed neutral
        6. uninformed hostile
      4. This allows us to distinguish between degrees of agreement-disagreement, as well as between informed and uninformed objection.
      5. A speaker should use different approaches for each of these profiles, as we shall see.
      6. Strategies
        1. In general:
          1. If the audience is informed and hostile, you should use a more rational appeal.
          2. If an audience is uninformed and hostile, you should use a combination of emotional and rational appeals.
        2. Specifically:
          1. Favorable
            1. Make use of emotional appeals to intensify your listener's support.
            2. Get your audience to make a public commitment.
            3. Provide specific alternatives for action.
            4. Prepare your audience to carry your message to others.
          2. Neutral
            1. Stress attention factors with an uninterested neutral audience.
            2. With an uninformed neutral audience, emphasize material that clarifies and illuminates your position.
            3. For an undecided neutral audience, establish your credibility by presenting new arguments that blend logical and emotional appeals.
          3. Hostile
            1. Set realistic goals.
            2. Stress common ground.
            3. Base you speech on sound logic and extensive evidence.
            4. Pay particular attention to establishing a credible image.
            5. Try a two-sided approach.
        3. Avoid obvious euphemisms.
      7. Another way to describe what the audience knows and how they feel about a topic is to say that audiences vary in their degree of cognitive complexity.
        1. Cognitive complexity is a combination of maturity, intelligence, and experience that affects how an audience will approach a topic.
          1. More than just knowledge, cognitive complexity also takes into account an audience's experience, in other words, the depth or nature of their knowledge.
          2. For example, a group of high school honor students in physics may know a great deal about the superconductivity. However, a veteran physicist will not only have more knowledge, but will also have a greater maturity and experience with the topic.
        2. Strategies
          1. Cognitively complex audiences demand and can follow relatively sophisticated arguments.
          2. They respond better to two-sided than to one-sided messages.
          3. They require a large amount of evidence before they will change beliefs or attitudes.
          4. Cognitively complex speakers generate more strategically sound tactics and are therefore perceived as more competent speakers.
      8. There are some other factors that relate to an audience's knowledge and opinion of which a careful communicator should be aware.
        1. The audience's latitude of change will affect how much change they will accept.
          1. Latitude of change simply means the extent or amount of change that an audience is willing to consider.
          2. Audiences with narrow latitude of change will not change their position very much; audiences with a wider latitude of change will be more likely to accept more sweeping changes.
          3. Strategies
            1. Conservative audiences may have a narrow latitude of acceptance and may not be willing to accept much change.
            2. Be realistic about the degree of change you can expect.
            3. Try for smaller incremental changes.
        2. Audiences that need to think about your message will tend to scrutinize the message more.
        3. Audiences with low motivation to think about the issues, are more likely to base decisions on peripheral concerns.
          1. attractiveness of speaker
          2. deference to authority


    4. Persuade by your own credibility or ethos.
      1. In general, your credibility will be higher with audiences who are unmotivated or are uninformed.
      2. You should enhance your image of competency.
        1. Depending on the audience, carefully set forth all the competing positions before you offer your own judgment.
        2. Set up standards of judgment and show how your position meets generally accepted criteria.
        3. Show how your recommendations actually solve the problems you have discussed.
      3. You should enhance your image of sincerity.
        1. Be open to correction and criticism--be calm with hecklers.
        2. Be warm as you relate to the audience.
        3. Look at them.
        4. Recognize those who have helped you work on the problem.
      4. You should enhance your image of expertise.
        1. Document sources.
        2. use a variety of sources.
        3. Be organized.
        4. Use clear, simple visual aids when necessary.
        5. Provide adequate background information on controversial issues.
        6. Separate causes from effect. short-term from long-term effects, hard facts from wishes or dreams, and each proposal from another.
        7. Be calm and forthright.
      5. Be friendly.
        1. Respect the opposition.
        2. Talk in terms of real-world problems rather than personalities or ideologies.
      6. Be dynamic.
        1. Speak vividly.
          1. clear images
          2. fresh metaphors
          3. active verbs
          4. short sentences
        2. Speak conversationally.
        3. Be animated.


    5. All of these things should help you frame a purpose for your message that is realistic for the given audience.
      1. Don't try for too much change.
      2. Find a purpose that you can accomplish even if the audience is mixed.

    6. You must put all these things together to create an effective message.
      1. it's more like an art than a science--that's why Aristotle called all these things "artistic proofs." 
      2. You are the artist. You are the persuader


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This page was last modified on Thursday, January 16, 2003.
You may contact the instructor at SHKaminski@yahoo.com
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