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Roszak,
Theodore. The Cult of Information: The Folklore of Computers and the True
Art of Thinking. New York: Pantheon Book, 1986. 87-107.
[87]
FIVE
OF IDEAS AND
DATA
IDEAS COME FIRST
In raising these questions
about the place of the computer in our schools, it is not my purpose to
question the value of information in and of itself. For better or worse, our
technological civilization needs its data the way the Romans needed their roads
and the Egyptians of the Old Kingdom needed the Nile flood. To a significant
degree, I share that need. As a writer and teacher, I must be part of the 5 to
10 percent of our society which has a steady professional appetite for
reliable, up-to-date information. I have long since learned to
value the services of a good reference library equipped with a well-connected
computer.
Nor do I want to deny that
the computer is a superior means of storing and retrieving data. There is
nothing sacred about the typed or printed page when it comes to keeping
records; if there is a faster way to find facts and manipulate them, we are
lucky to have it. Just as the computer displaced the slide rule as a
calculating device, it has every right to oust the archive, the filing cabinet,
the reference book, if it can prove itself cheaper and more efficient.
But I do want to insist that
information, even when it moves at the speed of light, is no more than it has
ever been: discrete little bundles of fact, sometimes useful, sometimes
trivial, and never the substance of thought. I offer this modest, common-sense
notion of information in deliberate contradiction to the computer enthusiasts
[88] and information theorists who have suggested far more extravagant
definitions. In the course of this chapter and the next, as this critique
unfolds, it will be my purpose to challenge these ambitious efforts to extend
the meaning of information to nearly global proportions. That project, I
believe, can only end by distorting the natural order of intellectual
priorities. And insofar as educators acquiesce in that distortion and agree to
invest more of their limited resources in information technology, they may be
undermining their students’ ability to think significantly.
That is the great mischief
done by the data merchants, the futurologists, and those in the schools who
believe that computer literacy is the educational wave of the future: they
lose sight of the paramount truth that the
mind thinks with ideas, not with information. Information may helpfully illustrate or decorate an idea; it may,
where it works under the guidance of a contrasting idea, help to call other
ideas into question. But information does not create ideas; by itself, it does
not validate or invalidate them. An idea can only be generated, revised, or
unseated by another idea. A culture survives by the power, plasticity, and
fertility of its ideas. Ideas come first, because ideas define, contain, and
eventually produce information. The principal task of education, therefore, is
to teach young minds how to deal with ideas: how to evaluate them, extend them,
adapt them to new uses. This can be done with the use of very little information,
perhaps none at all. It certainly does not require data processing machinery
of any kind. An excess of information may actually crowd out ideas, leaving the
mind (young minds especially) distracted by sterile, disconnected facts, lost
among shapeless heaps of data.
It may help at this point to
take some time for fundamentals.
The relationship of ideas to
information is what we call a generalization.
Generalizing might be seen as the basic action of intelligence; it takes
two forms. First, when confronted
with a vast shapeless welter of facts (whether in the form of personal
perceptions or secondhand reports), the mind seeks for a sensible, connecting
pattern. Second, when confronted with
very few facts, the mind seeks to create a pattern by enlarging upon the little
it has and pointing it in the direction of a conclusion. The result in either
case is some general statement which is not in the particulars, but has been
imposed upon them by the imagination. Perhaps, after more facts are gathered,
the pattern falls apart or yields to another, more [89] convincing possibility.
Learning to let go of an inadequate idea in favor of a better one is part of a
good education in ideas.
Generalizations may take
place at many levels. At the lowest level, they are formulated among many
densely packed and obvious facts. These are cautious generalizations, perhaps
even approaching the dull certainty of a truism. At another level, where the
information grows thinner and more scattered, the facts less sharp and certain,
we have riskier generalizations which take on the nature of a guess or hunch.
In science, where hunches must be given formal rigor, this is where we find
theories and hypotheses about the physical world, ideas that are on trial,
awaiting more evidence to strengthen, modify, or subvert them. This is also the
level at which we find the sort of hazardous generalizations we may regard as
either brilliant insights or reckless prejudices, depending upon our critical
response: sweeping statements perhaps asserted as unassailable truths, but
based upon very few instances.
Generalizations exist, then,
along a spectrum of information that stretches from abundance to near absence.
As we pass along that spectrum, moving away from a secure surplus of facts,
ideas tend to grow more unstable, therefore more daring, therefore more controversial.
When I observe that women have been the homemakers and child-minders in human
society, I make a safe but uninteresting generalization that embraces a great
many data about social systems past and present. But suppose I go on to say,
“And whenever women leave the home and forsake their primary function as
housewives, morals decline and society crumbles.” Now I may be hard pressed to
give more than a few questionable examples of the conclusion I offer. It is a
risky generalization, a weak idea.
In
Rorschach psychological testing, the subject is presented with a meaningless
arrangement of blots or marks on a page. There may be many marks or there may
be few, but in either case they suggest no sensible image. Then, after one has
gazed at them for a while, the marks may suddenly take on a form which becomes
absolutely clear. But where is this image? Not in the marks, obviously. The
eye, searching for a sensible pattern, has projected it into the material; it
has imposed a meaning upon the meaningless. Similarly in Gestalt psychology,
one may be confronted with a specially contrived perceptual image: an
ambiguous arrangement of marks which seems at first to be one thing but then
shifts to become another. Which is the “true” image? The eye is free to choose
between them, for they are [90] both truly there. In both cases—the Rorschach
blots and the Gestalt figure—the pattern is in the eye of the beholder; the
sensory material simply elicits it. The relationship of ideas to facts is much
like this. The facts are the scattered, possibly ambiguous marks; the mind
orders them one way or another by conforming them to a pattern of its own
invention. Ideas are integrating patterns
which satisfy the mind when it asks the question, What does this mean? What
is this all about?
But, of course, an answer
that satisfies me may not satisfy you. We may see different patterns in the
same collection of facts. And then we disagree and seek to persuade one another
that one or the other of these patterns is superior, meaning that it does more
justice to the facts at hand. The argument may focus on this fact or that, so
that we will seem to be disagreeing about particular facts—as to whether they
really are facts, or as to their
relative importance. But even then, we are probably disagreeing about ideas.
For as I shall suggest further on, facts are themselves the creations of ideas.
Those who would grant
information a high intellectual priority often like to assume that facts, all
by themselves, can jar and unseat ideas. But that is rarely the case, except
perhaps in certain turbulent periods when the general idea of “being skeptical”
and “questioning authority” is in the air and attaches itself to any
dissenting, new item that comes along. Otherwise, in the absence of a well-formulated,
intellectually attractive, new idea, it is remarkable how much in the way of
dissonance and contradiction a dominant idea can absorb. There are classic
cases of this even in the sciences. The Ptolemaic cosmology that prevailed in
ancient times and during the Middle Ages had been compromised by countless
contradictory observations over many generations. Still, it was an internally
coherent, intellectually pleasing idea; therefore, keen minds stood by the
familiar old system. Where there seemed to be any conflict, they simply
adjusted and elaborated the idea, or restructured the observations in order to
make them fit. If observations could not be made to fit, they might be allowed
to stand along the cultural sidelines as curiosities, exceptions, freaks of
nature. It was not until a highly imaginative constellation of ideas about
celestial and terrestrial dynamics, replete with new concepts of gravitation,
inertia, momentum, and matter, was created that the old system was retired.
Through the eighteenth and nineteenth centuries, similar strategies of
adjustment were used to [91] save other inherited scientific ideas in the
fields of chemistry, geology, and biology. None of these gave way until whole
new paradigms were invented to replace them, sometimes with relatively few
facts initially to support them. The minds that clung to the old concepts were
not necessarily being stubborn or benighted; they simply needed a better idea
to take hold of.
THE MASTER IDEAS
If
there is an art of thinking which we
would teach the young, it has much to do with showing how the mind may move
along the spectrum of information, discriminating solid generalizations from
hunches, hypotheses from reckless prejudices. But for our purposes here, I want to move
to the far end of the spectrum, to that extreme point where the facts, growing
thinner and thinner, finally vanish altogether. What do we find once we step
beyond that point into the zone where facts are wholly absent?
There we discover the
riskiest ideas of all. Yet they may also be the richest and most fruitful. For
there we find what might be called the master
ideas—the great moral, religious, and metaphysical teachings which are the
foundations of culture. Most of the ideas that occupy our thinking from moment
to moment are not master ideas; they are more modest generalizations. But from
this point forward I will be emphasizing master ideas because they are always
there in some form at the foundation of the mind, molding our thoughts below
the level of awareness. I want to focus upon them because they bear a
peculiarly revealing relationship to information, which is our main subject of
discussion. Master ideas are based on
no information whatever. I
will be using them, therefore, to emphasize the radical difference between
ideas and data which the cult of information has done so much to obscure.
Let us take one of the
master ideas of our society as an example:
All men are created equal.
The power of this familiar
idea will not be lost on any of us. From it, generations of legal and
philosophical controversy have arisen, political movements and revolutions have
taken their course. [92] It is an idea that has shaped our culture in ways that
touch each of us intimately; it is part, perhaps the most important part, of
our personal identity.
But where did this idea come
from? Obviously not from some body of facts. Those who created the idea
possessed no more information about the world than their ancestors, who would,
doubtless, have been shocked by such a pronouncement. They possessed far less
information about the world than we in the late twentieth century may feel is
necessary to support such a sweeping, universal statement about human nature.
Nevertheless, those who shed their blood over the generations to defend that assertion
(or to oppose it) did not do so on the basis of any data presented to them. The
idea has no relationship whatever to information. One would be hard pressed
even to imagine a line of research that might prove or disprove it. Indeed,
where such research has been attempted (for example by inveterate IQ
theorists), the result, as their critics are always quick to point out, is a
hopeless distraction from the real meaning of the idea, which has nothing to do
with measurements or findings, facts or figures of any kind. The idea of human
equality is a statement about the essential worth of people in the eyes of
their fellows. At a certain juncture in history, this idea arose in the minds
of a few morally impassioned thinkers as a defiantly compassionate response to
conditions of gross injustice that could no longer be accepted as tolerable. It
spread from the few to the many; finding the saline insurgent response in the
multitude, it soon became the battle cry of an era. So it is with all master
ideas. They are born, not from data, but from absolute conviction that catches
fire in the mind of one, of a few, then of many as the ideas spread to other
lives where enough of the same experience can be found waiting to be ignited.
Here are some more ideas,
some of them master ideas, each of which, though condensed in form, has been
the theme of countless variations in the philosophy, religious belief,
literature, and jurisprudence of human society:
Jesus died for our sins.
The Tao that can be named is not the true Tao.
Man is a rational animal.
Man is a fallen creature.
[93] Man is the measure of all things.
The mind is a blank sheet of paper.
The mind is governed by unconscious instincts.
The mind is a collection of inherited archetypes.
God is love.
God is dead.
Life is a pilgrimage.
Life is a miracle.
Life is a meaningless absurdity.
At the heart of every
culture we find a core of ideas like these, some old, some new, some rising to
prominence, some declining into obsolescence. Because those I list here in terse
formulations are verbal ideas, they might easily be mistaken for intended
statements of fact. They have the same linguistic form as a point of
information, like “George Washington was the first president of the United
States.” But of course they are not facts, any more than a painting by
Rembrandt is a fact, or a sonata by Beethoven, or a dance by Martha Graham. For
these too are ideas; they are integrating patterns meant to declare the
meaning of things as human beings have discovered it by way of revelation,
sudden insight, or the slow growth of wisdom over a lifetime. Where do these
patterns come from? The imagination creates them from experience. Just as ideas order information, they also order the
wild flux of experience as it streams through us in the course of life.
This is the point Fritz
Machlup makes when he observes a striking difference between “information” and
“knowledge.” (He is using “knowledge” here in exactly the same way I am using
“idea”—as an integrating pattern.) “Information” he tells us, “is acquired by
being told, whereas knowledge can be acquired by thinking.”
Any kind of
experience—accidental impressions, observations, and even “inner experience”
not induced by stimuli received from the environment—may initiate cognitive processes
leading to changes in a person’s knowledge. Thus, new knowledge can be acquired without new information being [94] received. (That this statement refers to subjective knowledge goes
without saying; but there is no such thing as objective knowledge that was not
previously somebody’s subjective knowledge.) [12]
Ideas, then—and especially
master ideas—give order to experience. They may do this in deep or shallow
ways; they may do it nobly or savagely. Not all ideas are humane; some, which
bid to become master ideas and may succeed, are dangerous, vile, destructive.
Hitler’s Mein Kampf is a book filled
with toxic ideas that were born of vengefulness and resentment. Yet they
became, for a brief interval, the master ideas of one troubled society. No one
who ever read that book and hated it did so because they thought the author had
gotten some of his facts wrong; no one who ever read it and loved it cared
about the accuracy of its information. The appeal of the book, whether accepted
or rejected, was pitched at a different level of the mind.
Here are some more ideas
that, at least in my view, are just as toxic:
Society is the war of each against all.
Self-interest is the only reliable human motivation.
Let justice be done though the heavens fall.
The only good Indian is a dead Indian.
Nice guys finish last.
The end justifies the means.
My country right or wrong.
It is precisely because some
ideas—many ideas—are brutal and deadly that we need to learn how to deal with
them adroitly. An idea takes us into people’s minds, ushers us through their
experience. Understanding an idea means understanding the lives of those who
created and championed it. It means knowing their peculiar sources of
inspiration, their limits, their vulnerabilities and blind spots. What our schools
must offer the young is an education that lets them make that journey through
another mind in the light of other ideas, including some that they have
fashioned for themselves from their own [95] experience. The mind that owns few
ideas is apt to be crabbed and narrow, ungenerous and defensive in its
judgments. “Nothing is more dangerous than an idea,” Emil Chartier once said,
“when it is the only one we have.”
On the other hand, the
mind that is gifted with many ideas is equipped to make its evaluations more
gracefully. It is open and welcoming to its own experience, yet capable of
comparing that experience discriminately with the lives of others, and so
choosing its convictions with care and courtesy.
EXPERIENCE, MEMORY, INSIGHT
One of the major liabilities of the data processing
model of thought is the way in which it coarsens subtle distinctions in the
anatomy of the mind. The model may do this legitimately in order to simplify for
analytical purposes; all scientific models do that. But there is always the
danger—and many computer scientists have run afoul of it—that the model will
become reified and be taken seriously. When that happens on the part of experts
who should know better, it can actually falsify what we know (or should know)
about the way our own minds work.
Take, for example, the
significant interplay between experience, memory, and ideas, which is the basis
of all thought. I have been using the word experience
here to refer to the stream of life as it molds the personality from moment
to moment. I use the word as I believe most artists would use it; more
specifically, it is experience as it would be reflected in the literary
technique called stream of consciousness.
Experience in this sense is
the raw material from which moral, metaphysical, and religious ideas are
fashioned by the mind in search of meaning. This may seem like an imprecise
definition, especially to those of an empiricist inclination. In the empiricist
tradition “experience” has come to be the equivalent of information. It is the
sensory data which we collect in neat, well-packaged portions to test
propositions about the world in a strictly logical way. When the empiricist
philosophers of the seventeenth and eighteenth centuries defined experience in
this way, they were in search of a form of [96] knowledge that would serve as
an alternative to statements that were meant to be accepted on the basis of
authority, hearsay, tradition, revelation, or pure introspective reasoning.
Experience was intended to be that kind of knowledge which was firsthand and
personally tested. It was also meant to be available for inspection by others
through their experience. Hence, it
was public knowledge and, as such, free of obfuscation or manipulation. This,
so the empiricists argued, was really the only kind of knowledge worth having.
Unless all the rest could be verified by experience, it probably did not deserve
to be regarded as knowledge at all.
But experience of the kind
the empiricists were after is actually of a very special, highly contrived
variety. Modeled upon laboratory experimentation or well-documented,
professional research, it exists almost nowhere except in the world of
science—or possibly as evidence in a court of law. We do not normally collect
much experience of this sort. Rather, we ordinarily take in the flow of
events as life presents it—unplanned, unstructured, fragmentary, dissonant. The
turbulent stream passes into memory where it settles out into things vividly
remembered, half remembered, mixed, mingled, compounded. From this compost of
remembered events, we somehow cultivate our private garden of certainties and
convictions, our rough rules-of-thumb, our likes and dislikes, our
tastes and intuitions and articles of faith.
Memory is the key factor here; it is
the register of experience where the flux of daily life is shaped into the
signposts and standards of conduct. Computers, we are told, also have
“memories,” in which they store information. But computer memory is no more
like human memory than the teeth of a saw are like human teeth; these are loose
metaphors that embrace more differences than similarities. It is not the
least of its liabilities that the cult of information obscures this
distinction, to the point of suggesting that computer memory is superior
because it remembers so much more. This is precisely to misinterpret what
experience is and how it generates ideas. Computers “remember” things in the
form of discrete entries: the input of quantities, graphics, words, etc. Each
item is separable, perhaps designated by a unique address or file name, and
all of it subject to total recall. Unless the machine malfunctions, it can
regurgitate everything it has stored exactly as it was entered, whether a
single number or a lengthy document. That is what we expect of the machine.
Human memory, on the other
hand, is the invisible psychic ad- [97] hesive that holds our identity
together from moment to moment. This makes it a radically different phenomenon
from computer memory. For one thing, it is fluid rather than granular, more
like a wave than a particle. Like a wave, it spreads through the mind, puddling
up here and there in odd personal associations that may be of the most
inexplicable kind. It flows not only through the mind, but through the
emotions, the senses, the body. We remember things as no computer can—in our
muscles and reflexes: how to swim, play an instrument, use a tool. These stored
experiences lodge below the level of awareness and articulation so that there
is no way to tell someone how we drive a car or paint a picture. We don’t
actually “know” ourselves. In an old bit of folk wisdom, the daughter asks her
mother how she bakes such a good apple pie. The mother, stymied, replies:
“First I wash my hands. Then I put on a clean apron. Then I go into the kitchen
and bake a good apple pie.”
Moreover, where we deal with
remembered experience, there is rarely total recall. Experiences may be there,
deeply buried in our brain and organism, but they are mostly beyond
recollection. Our memory is rigorously selective, always ready to focus on what
matters to us. It edits and compacts experience, represses and forgets and it
does this in ways we may never fully understand. As we live through each
present moment, something immediately before us may connect with experiences
that call up vivid sensory associations, pains, pleasures; these in turn may
make us laugh, they may leave us sad, they may bring us to the point of nausea
or deep trauma. Some of what we have experienced and stored away in memory may
derive from our speechless childhood; some may be phantoms of prenatal recollection.
Much is drawn from private fantasies never reported to anyone, hardly admitted
to ourselves.
We may say that we remember
what “interests” us; but we may also perversely conceal or recompose things
that are too threatening to face. The recollections we retain are mysteriously
selected, enigmatically patterned in memory. There are hot bright spots filled
with rich and potent associations; there are shadowed corners which may only
emerge vividly in dreams or hallucinations; there are odd, quirky zones that
delight to fill up with seemingly useless, chaotic remnants—things we remember
without knowing why, even items (insistent song lyrics, irritating advertising
jingles) we would just as soon erase if we could . . . but we can’t. If we
could draw a full anatomy of memory in all its elusive variety, we would have
the [98] secret of human nature itself. The shape of memory is quite simply the
shape of our lives; it is the self-portrait we paint from all we have
experienced. It is not the computer scientist but a literary artist like
Vladimir Nabokov who can tell us most about the strange dynamics of experience.
He writes:
A passerby whistles a tune at the exact moment that you notice the reflection
of a branch in a puddle which in its turn and simultaneously recalls a
combination of damp leaves and excited birds in some old garden, and the old
friend, long dead, suddenly steps out of the past, smiling and closing his
dripping umbrella. The whole thing lasts one radiant second and the motion of
impressions and images is so swift that you cannot check the exact laws which
attend their recognition, formation, and fusion.... It is like a jigsaw puzzle
that instantly comes together in your brain with the brain itself unable to
observe how and why the pieces fit, and you experience a shuddering sensation
of wild magic.[13]
Experience, as Nabokov
describes it here, is more like a stew than a filing system. The ingredients of
a lifetime mix and mingle to produce unanticipated flavors. Sometimes a single
piquant component—a moment of joy, a great sorrow, a remembered triumph or
defeat—overpowers all the rest. In time, this stew boils down to a rich residue
of feelings, general impressions, habits, expectations. Then, in just the right
circumstance—but who can say what this will be?—that residue bubbles up into a
well-formed insight about life which we may speak or paint or dance or
play out for the world to know. And this becomes, whether articulately or as an
unspoken existential gesture, an idea. Certainly,
this has much to do with the climate of opinion in which we find ourselves, the
traditions we share, the autobiographical momentum of our lives. But how these
will combine in any given mind at any given moment and what they will produce
is wholly beyond prediction. The stew of personal experience is too thick, too
filled with unidentifiable elements mixed in obscure proportions. What emerges
from the concoction can be genuinely astonishing. Which is only to observe
what all culture tells us about ourselves: that we are capable of true
originality. History teems with such marvelous examples of invention and
startling con- [99] version. Paul of Tarsus struck blind on the road to
Damascus rises from the trauma to become the disciple of a savior he had never
met and whose followers he had persecuted; Tolstoy, falling into an episode of
suicidal depression, disowns his literary masterworks and strives to become an
ascetic hermit; Gandhi, driven from the white-only compartment of a South
African train, renounces his promising legal career to don a loincloth and
become the crusading mahatma of his people. This is experience at work,
mysteriously shaping new ideas about life in the depths of the soul.
So too all of us, as we bear
witness to the emerging convictions of others, confront what they say and do
with the full force of our experience. If there is a confirming resonance
within us, it may be because our lives have overlapped those we encounter. But
it may also be that the power of the encounter in itself—then and there in a
single moment—shatters the convictions of a lifetime, and we have the sense of
beginning anew, of being reborn. For there are such instances of people being
unmade and remade by charismatic confrontation and the pressures of crisis. It
may even be the case that these gifts of originality and sudden conversion play
a crucial evolutionary role in the growth of culture. Perhaps this volatility
of mind is what saves human society from the changeless rigidity of the other
social animals, the ants, the bees, the beasts of the pack and the herd. We are
gifted as a species with a crowning tangle of electrochemical cells which has
become an idea-maker. So spontaneously does this brain of ours make ideas
and play with ideas that we cannot say much more about them than that they are
there, shaping our perceptions, opening up possibilities. From moment to
moment, human beings find new things to think and do and be: ideas that erupt
seemingly from out of nowhere. We are remarkably plastic and adaptable animals,
and the range of our cultural creativity seems unlimited. It would be a great
loss if, by cheapening our conception of experience, memory, and insight, the
cult of information blunted these creative powers.
There are computer
scientists who seem well on their way toward doing that, however. They believe
they can simulate our originality on the computer by working out programs that
include a randomizing element. (The Logo program for poetry which we reviewed
in the previous chapter is an example of this.) Because this makes the output
of the program unpredictable, it has been identified as “cre- [100] ative.”
But there is all the difference in the world between such contrived randomness
and true originality. Again, the data processing model works to obscure the
distinction. In the human mind, an original idea has a living meaning; it
connects with experience and produces conviction. What the computer produces is
“originality” at about the level of a muscular spasm; it is unpredictable, but
hardly meaningful.
Of course, there are other
forms of experience that come to us more neatly packaged and labeled: things
learned by rote or memorized verbatim, precise instructions, procedures,
names, addresses, facts, figures, directions. What such experiences leave
behind is much like what fills computer memory: information in the proper sense of the term. Our psychological
vocabulary does not clearly distinguish these different levels and textures of
memory; we have simply the one word for the remembrance of things past. We remember a phone number; we remember an episode of traumatic
suffering that changed our lives. To sweep these different orders of
experience under the rubric information can
only contribute to cheapening the quality of life.
“The heart has its reasons,”
Pascal tells us, “which reason cannot know.” I would take this to mean that the minds of
people are filled with ideas which well up from deep springs of mixed and
muddled experience. Yet these ideas, hazy, ambiguous, contradictory as they may
be, can be, for better or worse, the stuff of strong conviction. In a debate
that involves such “reasons,” information is rarely of much use. Instead, we
must test and sample in the light of our own convictions, seeking the
experience that underlies the idea. We must do what I dare say you are doing
now as you read these words, which are convictions of mine presented for your
consideration. You pause, you reflect, probing to discover what my moral and
philosophical loyalties might be. As you try to get the feel of the ideas I offer, you cast about in your recollections to
see if you can find there an echo of the experiences I draw upon. You may
loiter more over nuances and shades of meaning than over matters of fact. Here
and there you may detect distant implications or hidden assumptions that you
may or may not care to endorse. Possibly you sense that some of your fondest
values are challenged and you hasten to defend them.
There is no telling how this
critical rumination will turn out, but one thing should be obvious: none of
this is “data processing.” It is the give and take of dialogue between two
minds, each drawing upon [101] its own experience. It is the play of ideas, and
all the information in all the data bases in the world will not decide the
issues that may stand disputed between us.
THE EMPIRICIST GAMBIT
Once
they focus on the matter, many people will find the
primacy of ideas so obvious that they may wonder why it has to be raised as a
bone of contention at all. How have the computer scientists managed to
subordinate ideas to data so persuasively? This is an intriguing historical
question to which we might do well to give some attention.
Earlier in this chapter, I
made reference to the empiricist school of philosophy and the way in which it
has chosen to reinterpret the meaning of experience. Let us return for a moment
to the impact of empiricism upon Western philosophy, for it plays a significant
role in the cult of information.
Some four centuries ago, in
that turbulent transitional zone that leads from the Renaissance to the modern
period, the realm of knowledge in the Western world was a relatively small
island of certainty surrounded by a sea of accepted mystery. At its far, unfathomable
reaches, that sea merged with the mind of God, the contents of which might only
be approached by an act of faith. On the island, the major bodies of thought
were the scriptures, the works of the Church fathers, a handful of surviving
Greek and Roman masters, and possibly a small select group of Jewish and Arab
thinkers. Over several centuries of the medieval period, these sources had been
worked up, often by way of brilliant elaborations, into an august repertory of
knowledge that was held to answer all the questions the human mind could expect
to have answered.
In such a culture, there is
no such category as “information”; facts count for very little where whatever
can be known is already known and has been assimilated to well-known
truths. Instead of information there is confabulation: constant, sometimes
inspired play with familiar ideas that are extended, combined, reshaped. By the
latter part of the sixteenth century, this intellectual style was becoming more
and more incompatible with the social and economic dynamism of Western society.
For one thing—a dramatic thing—[102] new worlds were being discovered, whole
continents and cultures that were unaccounted for by any existing authority.
These were discoveries. And if there
could be geographical discoveries, then why not new worlds of the mind as well?
Francis Bacon used just that comparison to justify his restless quest for a
“New Philosophy.” He, Descartes, Galileo, Giordano Bruno were among the
first to match their culture’s expansive passion for physical discovery with a
corresponding intellectual daring.
These seminal minds of the
seventeenth century hit upon an exciting cultural project. Their proposition
was this: Let us devise a kind of inquiry which will have the power to discover
new things about the world—about its
forces, and structures, and phenomena. This will be a way of thinking that will
be the equivalent of the great voyages of discovery that have found new worlds
across the seas. This style of inquiry, they decided, should involve
rigorous, well-targeted interrogation of nature by close observation and
experimentation. It should be undertaken in a spirit of total objectivity,
avoiding all assumptions and presuppositions. It should simply try to see
things as they really are. The result of this new method will be a growing body
of solid, reliable facts, usually measurements, which have heretofore been
overlooked. Then, if an observer sets about scrupulously collecting these
facts, they will eventually speak for themselves, shaping themselves into great
truths as vast in their scope as the size of the whole universe.
We can now recognize this
method (the novum organum, as Bacon
called it) as the distant beginning of the modern scientific world view. No one
can fail to appreciate its historical contribution; but we also have enough
historical perspective to know how very misconceived that method was. In its
narrow focus on facts, it left out of account the crucial importance of
theoretical imagination, hypothesis, speculation, and inspired guesswork—without
which science would not have had its revolutionary impact. Looking back
from our vantage point, we can clearly see theoretical imagination at work in
the minds of Galileo, Newton, Kepler, Boyle, Hook, contours of thought which
were there but which they were too close to notice. We have learned that great
scientific breakthroughs are never assembled piecemeal from lint-picking
research. At times, limited, fine-grained investigation may succeed in
raising important doubts about a scientific theory; but it must at least have
that theory before it as a target or a baseline. Without some master idea that
[103] serves that function, one would not know where to begin looking for
facts. Science is structured inquiry, and the structures that guide its progress
are ideas.
There was, however, a good
reason why the founding fathers of modern science should have erred in the
direction of overvaluing facts at the expense of ideas. In Galileo’s day, the
dominant ideas about nature were derived from a few sacrosanct
authorities—either Christian theology or Aristotle. In order to free themselves
from this increasingly restrictive heritage of tired, old ideas, these daring
minds were moved to call ideas themselves
into question. So they recommended a new point of departure, one which
seemed innocuously neutral and therefore strategically inoffensive to the
cultural authorities of the day: they would concentrate their attention on the
clear-cut indisputable facts of common experience—the weights and sizes and
temperatures of things. Facts first, they insisted. Ideas later. And this
proved to be a persuasive approach. It brought to light any number of
terrestrial and astronomical novelties that could not be adequately explained
by Aristotle, the Bible, the Church fathers—or perhaps had never been noticed
by them at all. If the mission of the early empiricists is viewed in its
historical context, it can be recognized as a clever philosophical gambit
whose purpose was to break down ethnocentric barriers and ecclesiastical
authority. In this, it finally succeeded. By encouraging a bold skepticism
about all inherited ideas, it liberated the restricted intellectual energies
of Western society. Its connection with the birth of modern science will always
endow it with a special status.
The trouble is, the very
success of the empiricists has helped to embed a certain fiercely
reductionistic conception of knowledge in our culture, one that drastically
undervalues the role of the imagination in the creation of ideas, and of ideas
in the creation of knowledge, even in the sciences. In our time, minds loyal
to the empiricist love of fact have seized upon the computer as a model of the
mind at work storing up data, shuffling them about, producing knowledge, and
potentially doing it better than its human original. Those who see the world
more or less in this way represent one pole in an argument which had already
been joined in the days of Plato, Aristotle, and Democritus. Which is more
“real,” things or the ideas we have of things? Does knowledge begin in the
senses or in the mind?
It is hardly my intention to
try to adjudicate that argument here. I only wish to emphasize that the data
processing model of the mind [104] is not some purely objective “finding” of
contemporary science. It grows from a definite philosophical commitment; it
represents one side in an ancient debate, still with us and still unsettled.
The empiricist side of that debate deserves to be respected for the rich
contribution it has made to our philosophical heritage. We would not want to
do without it. But I have found it interesting, whenever I am in the company
of those who hold a rigorously empirical position, to remind them of a paradox:
their viewpoint is itself an idea. It is an idea about ideas . . . and about
knowledge, experience, and truth. As such, it is not based on fact or
information, because it is this very idea which defines information in the
first place. There is ultimately no way around ideas, then. They are what the
mind thinks with, even when it is attacking the primacy of ideas.
For that matter, the
computer is also an idea, just as all machines are. It is an idea about number,
and classification, and relationship—all realized in the form of a physical
invention. The proposition that the mind thinks like a computer is an idea
about the mind, one that many philosophers have taken up and debated. And like
every idea, this idea also can be gotten
outside of, looked at from a distance, and called into question. The mind,
unlike any computer anyone has even imagined building, is gifted with the
power of irrepressible self-transcendence. It is the greatest of all
escape artists, constantly eluding its own efforts at self-comprehension.
It can form ideas about its own ideas, including its ideas about itself. But
having done that, it has already occupied new ground; in its next effort to
understand its own nature, it will have to reach out still further. This
inability of the mind to capture its own nature is precisely what makes it
impossible to invent a machine that will be the mind’s equal, let alone its
successor. The computer can only be one more idea in the imagination of its
creator. Our very capacity to make jokes about computers, to spoof and mock
them, arises from our intellectual distance from them. If there is anything
that frustrates the technician’s talent, it is open-ended potentiality.
[105] NO IDEAS, NO INFORMATION
From the viewpoint of the
strict, doctrinaire empiricism which lingers on in the cult of information, the
facts speak for themselves. Accumulate enough of them, and they will
conveniently take the shape of knowledge. But how do we recognize a fact when
we see one? Presumably, a fact is not a mental figment or an illusion; it is
some small, compact particle of truth. But to collect such particles in the
first place, we have to know what to look for. There has to be the idea of a
fact.
The empiricists were right
to believe that facts and ideas are significantly connected, but they inverted
the relationship. Ideas create
information, not the other way around. Every fact grows from an
idea; it is the answer to a question we could not ask in the first place if an
idea had not been invented which isolated some portion of the world, made it
important, focused our attention, and stimulated inquiry.
Sometimes an idea becomes so
commonplace, so much a part of the cultural consensus, that it sinks out of
awareness, becoming an invisible thread in the fabric of thought. Then we ask
and answer questions, collecting information without reflecting upon the
underlying idea that makes this possible. The idea becomes as subliminal as the
grammar that governs our language each time we speak.
Take an example. The time of
day, the dare. These are among the simplest, least ambiguous facts. We may be right
or wrong about them, but we know they are subject to a straightforward true or
false decision. It is either 2:15 p.m. in our time zone, or it is not. It is
either March 10 or it is not. This is information at its most irreducible
level.
Yet behind these simple
facts, there lies an immensely rich idea: the idea of time as a regular and
cyclical rhythm of the cosmos. Somewhere in the distant past, a human mind
invented this elegant concept, perhaps out of some rhapsodic or poetic
contemplation of the bewilderingly congested universe. That mind decided the
seemingly shapeless flow of time can be ordered in circles, the circles can be
divided into equal intervals, the intervals can be counted. From this insight,
imposed by the imagination on the flux of experience, [106] we derive the clock
and the calendar, the minutes, days, months, seasons we can now deal with as
simple facts.
Most of our master ideas
about nature and human nature, logic and value eventually become so nearly
subliminal that we rarely reflect upon them as human inventions, artifacts of
the mind. We take them for granted as part of the cultural heritage. We live
off the top of these ideas, harvesting facts from their surface. Similarly,
historical facts exist as the outcroppings of buried interpretive or mythic
insights which make sense of, give order to the jumbled folk memory of the
past. We pick up a reference book or log on to a data base and ask for some
simple information. When was the Declaration of Independence signed and who
signed it? Facts. But behind those facts there lies a major cultural paradigm.
We date the past (not all societies do) because we inherit a Judeo-Christian
view of the world which tells us that the world was created in time and that it
is getting somewhere in the process of history. We commemorate the names of
people who “made history” because (along other lines) we inherit a dynamic,
human-centered vision of life which convinces us that the efforts of
people are important, and this leads us to believe that worthwhile things can
be accomplished by human action.
When we ask for such simple
points of historical information, all this stands behind the facts we get back
as an answer. We ask and we answer the questions within encompassing ideas
about history which have become as familiar to us as the air we breathe. But
they are nonetheless human creations, each capable of being questioned,
doubted, altered. The dramatic turning points in culture happen at just that
point—where new idea rises up against old idea and judgment must be made.
What happens, then, when we
blur the distinction between ideas and information and teach children that
information processing is the basis of thought? Or when we set about building
an “information economy” which spends more and more of its resources accumulating
and processing facts? For one thing, we bury even deeper the substructures of
ideas on which information stands, placing them further from critical
reflection. For example, we begin to pay more attention to “economic indicators”—which
are always convenient, simple-looking numbers—than to the assumptions
about work, wealth, and well-being which underlie economic policy.
Indeed, our orthodox economic science is awash in a flood of statistical
figments [107] that serve mainly to obfuscate basic questions of value,
purpose, and justice. What contribution has the computer made to this
situation? It has raised the flood level, pouring out misleading and
distracting information from every government agency and corporate boardroom.
But even more ironically, the hard focus on information which the computer
encourages must in time have the effect of crowding out new ideas, which are
the intellectual source that generates facts.
In the long run, no ideas,
no information.