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Roszak,
Theodore. The Cult of Information: The Folklore of Computers and the True
Art of Thinking. New York: Pantheon Book, 1986. 210-220.
[210]
TEN
DESCARTES’S
ANGEL
Reflections on the
True Art of Thinking
On the night of November 20,
1619, Rene Descartes, then an aspiring philosopher still in his early twenties,
had a series of three dreams which changed the course of his life and of modern
thought. He reports that in his sleep, the Angel of Truth appeared to him and,
in a blinding revelation like a flash of lightning, revealed a secret which
would “lay the foundations of a new method of understanding and a new and
marvelous science.” In the light of what the angel had told him, Descartes
fervently set to work on an ambitious treatise called “Rules for the Direction
of the Mind.” The objective of his “new and marvelous science” was nothing less
than to describe how the mind works. For Descartes, who was to invent
analytical geometry, there was no question but that the model for this task was
to be found in mathematics. There would be axioms (“clear and distinct ideas”
that none could doubt) and, connecting the axioms in logical progressions, a
finite number of simple, utterly sensible rules that were equally self-evident.
The result would be an expanding body of knowledge.
Descartes never finished his treatise; the project was abandoned after
the eighteenth rule—perhaps because it proved more difficult than he had
anticipated. He did, however, eventually do justice to [211] the angel’s
inspiration in the famous Discourse on
Method, which is often taken to be the founding document of modern
philosophy.[20] Descartes’
project was the first of many similar attempts in the modern world to codify
the laws of thought; almost all of them follow his lead in using mathematics as
their model. In our day, the fields of artificial intelligence and cognitive
science can be seen as part of this tradition, but now united with technology
and centering upon a physical mechanism—the computer—which supposedly embodies
these laws.
The epistemological systems
that have been developed since the time of Descartes have often been ingenious.
They surely illuminate many aspects of the mind. But all of them are marked by
the same curious fact. They leave out the Angel of Truth—as indeed Descartes
himself did. For he never returned to the source of his inspiration. His
writings spare no time for the role of dreams, revelations, insights as the
wellsprings of thought. Instead, he gave all his attention to formal, logical
procedures that supposedly begin with zero, from a position of radical doubt.
This is a fateful oversight by the father of modern philosophy; it leaves
out of account that aspect of thinking which makes it more an art than a
science, let alone a technology: the moment of inspiration, the mysterious
origin of ideas. No doubt Descartes himself would have been hard pressed to
say by what door of the mind the angel had managed to enter his thoughts. Can
any of us say where such flashes of intuition come from? They seem to arise
unbidden from unconscious sources. We do not stitch them together piece by
piece; rather, they arrive all at once and whole. If there are any rules we can
follow for the generation of ideas, it may simply be to keep the mind open and
receptive on all sides, to remain hospitable to the strange, the peripheral,
the blurred and fleeting that might otherwise pass unnoticed. We may not
know how the mind creates or receives ideas, but without them—and especially
what I have called the master ideas which embody great reserves of collective
experience—our culture would be unimaginably meager. It is difficult to see how
the mind could work at all if it did not have such grand conceptions as truth,
goodness, beauty to light its way.
At the same time that
Descartes was drafting his rules of thought, the English philosopher Francis
Bacon was also in search of a radical new method of understanding. Bacon, who
was a mathematical illiterate, preferred to stress the importance of
observation and the ac- [212] cumulation of facts. He too was a man with
a revolutionary vision—the intention of placing all learning on a new
foundation of solid fact derived from the experimental “vexing” of nature. Before
the seventeenth century was finished, these two philosophical currents—the
Rationalism of Descartes, the Empiricism of Bacon—had formed a working alliance
to produce the intellectual enterprise we call science: observation subjected
to the discipline of an impersonal method designed to have all the logical
rigor of mathematics. As Bacon once put it, if one has the right method, then
“the mind itself” will “be guided at every step, and the business be done as if
by machinery.”
Since the days of Descartes
and Bacon, science has grown robustly. Its methods have been debated, revised,
and sharpened as they have thrust into new fields of study; the facts it has
discovered mount by the day. But the angel who has fired the minds of great
scientists with a vision of truth as bold as that of Descartes has rarely been
given her due credit, and least of all by the computer scientists who seem
convinced that they have at last invented Bacon’s mental “machinery” and that
it can match the achievements of its human original without the benefit of
unaccountable revelations.
The gap that has so often
been left by philosophers between the origin of ideas and the subsequent
mechanics of thought—between the angel’s word and the analytical processes that
follow—simply reflects the difference between what the mind can and cannot
understand about itself. We can self-consciously connect idea with idea,
comparing and contrasting as we go, plotting out the course of a deductive
sequence. But when we try to get behind the ideas to grasp the elusive
interplay of experience, memory, insight that bubbles up into consciousness as
a whole thought, we are apt to come away from the effort dizzy and
confounded—as if we had tried to read a message that was traveling past us at
blinding speed. Thinking up ideas is so spontaneous—one might almost say so instinctive—an action, that it
defies capture and analysis. We cannot slow the mind down sufficiently to see
the thing happening step by step. Picking our thoughts apart at this primitive,
preconscious level is rather like one of those deliberately baffling exercises
the Zen Buddhist masters use to dazzle the mind so that it may experience the
inutterable void. When it comes to understanding where the mind gets its ideas,
perhaps the best we can do is to say, with Descartes, “An angel told me.” But
then is there any need to go farther than this? Mentality is [213] the gift of
our human nature. We may use it, enjoy it, extend and elaborate it without
being able to explain it.
In any case, the fact that
the origin of ideas is radically elusive does not mean we are licensed to
ignore the importance of ideas and begin with whatever we can explain as if
that were the whole answer to the age-old epistemological question with
which philosophers have struggled for centuries. Yet that, I believe, is what
the computer scientists do when they seek to use the computer to explain
cognition and intelligence.
The information processing
model of thought, which has been the principal bone of contention in these pages,
poses a certain striking paradox. On the basis of that model, we are told that
thinking reduces to a matter of shuffling data through a few simple, formal
procedures. Yet, when we seek to think in this “simple” way, it proves to be
very demanding—as if we were forcing the mind to work against the grain. Take
any commonplace routine of daily life—a minimal act of intelligence—and try to
specify all its components in a logically tight sequence. Making breakfast,
putting on one’s clothes, going shopping. As we have seen in an earlier
chapter, these common-sense projects have defied the best efforts of
cognitive scientists to program them. Or take a more extraordinary (meaning
less routine) activity: choosing a vocation in life, writing a play, a novel a
poem, or—as in Descartes’s case—revolutionizing the foundations of thought. In
each of these exercises, what we have first and foremost in mind is the whole,
global project. We will to do it, and then—somehow, seemingly without thinking
about it—we work through the matter step by step, improvising a countless
series of subroutines that contribute to the project. Where something doesn’t
work or goes wrong, we adjust within the terms of the project. We understand
projects: whole activities. They may be misconceived activities, but they are
nevertheless the ends that must come before the means. When we get round to the
means, we remain perfectly aware that these are subordinate matters. The surest
way any project in life goes wrong is when we fixate on those subordinate
matters and lose sight of the whole. Then we become like the proverbial
centipede who, when he was asked to explain how he coordinated all his parts,
discovered he was paralyzed.
What I am suggesting is
that, in little things and big, the mind works more by way of gestalts than by
algorithmic procedures. This is because our life as a whole is made up of a
hierarchy of projects, [214] some trivial and repetitive, some special and
spectacular. The mind is naturally a spinner of projects, meaning it sets
goals, choosing them from among all the things we might be doing with our
lives. Pondering choices, making projects—these are the mind’s first order of
activity. This is so obvious, so basic, that perhaps we are only prompted to
reflect upon it when a different idea about thinking is presented, such as that
thought is connecting data points in formal sequences.
Now, of course, the mind
takes things in as it goes along. We do register data. But we register
information in highly selective ways within the terms of a project which, among
other things, tells us which facts to pay attention to, which to ignore, which
deserve the highest and which the lowest value. Thinking means—most significantly—forming
projects and reflecting upon the values that the project involves. Many
projects are simply given by the physical conditions of life: finding food,
clothing the body, sheltering from the elements, securing help in time of
danger. But all of us at least hope we will have the opportunity in life to
function at a higher level than this, that we will spend as much of our time as
possible beyond the level of necessity, pursuing what John Maynard Keynes once
called “the art of life itself.” Forming projects of this kind is the higher
calling that comes with our human nature. Teaching the young how to honor and
enjoy that gift is the whole meaning of education. That is surely not what we
are doing when we load them down with information, or make them feel that
collecting information is the main business of the mind. Nor do we teach them
the art of life when we ask them “to think like a machine.” Machines do not
invent projects; they are invented by human beings to pursue projects. What
Seymour Papert calls “procedural thinking” surely has its role to play in life;
but its role is at the level of working out the route for a trip by the close
study of a road map. It is an activity that comes into play only after we have
chosen to make a journey and have selected a destination.
The substance of education
in the early years is the learning of what I have called master ideas, the
moral and metaphysical paradigms which lie at the heart of every culture. To
choose a classic model in the history of Western pedagogy: in the ancient
world, the Homeric epics (read or recited) were the texts from which children
learned the values of their civilization. They learned from adventure tales and
heroic exemplars which they could imitate by endless play [215] in the roadways
and fields. Every healthy culture puts its children through such a Homeric
interlude when epic images, fairy tales, chansons
de geste, Bible stories, fables, and legends summon the growing mind to
high purpose. That interlude lays the foundations of thought. The “texts” need
not be exclusively literary. They can be rituals—as in many tribal societies,
where the myths are embodied in festive ceremonies. Or they may be works of
art, like the stained glass windows and statuary of medieval churches. Master
ideas may be taught in many modes. In our society, television and the movies
are among the most powerful means of instruction, often to the point of
eclipsing the lackluster materials presented in school. Unhappily, these major
media are for the most part in the hands of commercial opportunists for whom
nobility of purpose is usually nowhere in sight. At best, a few tawdry images
of heroism and villainy may seep through to feed the hungry young mind. The
rudiments of epic conduct can be found in a movie like Star Wars, but the imagery has been produced at a mediocre aesthetic
and intellectual level, with more concern for “effects” than for character. At
such hands, archetypes become stereotypes, and the great deeds done are skewed
with an eye to merchandising as much of the work as possible.
Those cultures are blessed
which can call upon Homer, or Biblical tales, or the Mahabharata to educate the
young. Though the children’s grasp of such literature may be simple and
playful, they are in touch with material of high seriousness. From the heroic
examples before them, they learn that growing up means making projects with
full responsibility for one’s choices. In short, taking charge of one’s life in
the presence of a noble standard. Young minds reach out for this guidance; they
exercise their powers of imagination in working up fantasies of great quests,
great battles, great deeds of cunning, daring, passion, sacrifice. They craft
their identities to the patterns of gods and goddesses, kings and queens,
warriors, hunters, saints, ideal types of mother and father, friend and neighbor.
And perhaps some among them aspire to become the bards and artists of the new
generation who will carry forward the ideals of their culture. Education begins
with giving the mind images—not data points or machines—to think with.
There is a problem, however,
about teaching children their culture’s heroic values. Left in the hands of
parents and teachers, but especially of the Church and the state where these
institutions become dominant, ideals easily become forms of indoctrination,
idols [216] of the tribe that can tyrannize the young mind. Heroism becomes
chauvinism; high bright images become binding conventions. Master ideas are
cheapened when they are placed in the keeping of small, timid minds that have
grown away from their own childish exuberance.
In the hands of great
artists like Homer, images never lose the redeeming complexity of real life.
The heroes keep just enough of their human frailties to stay close to the flesh
and blood. Achilles, the greatest warrior of them all, is nevertheless as vain
and spoiled as a child, a tragically flawed figure. Odysseus can be more than a
bit of a scoundrel, his “many devices” weakening toward simple piracy. It is
the fullness of personality in these heroes that leaves their admirers balanced
between adulation and uncertainty. The ideal has more than one side; the mind
is nagged with the thought “yes, but . . . .” Where such truth to life is lost,
the images become shallow; they can then be used to manipulate rather than
inspire.
The Greeks, who raised their
children on a diet of Homeric themes, also produced Socrates, the philosophical
gadfly whose mission was to sting his city into thoughtfulness. “Know thyself,”
Socrates insisted to his students. But where else can self-knowledge
begin but with the questioning of ancestral values, prescribed identities?
Here is the other
significant use of ideas: to produce critical contrast and so to spark the mind
to life. Homer offers towering examples of courage. Ah, but what is true courage? Socrates asks, offering
other, conflicting images, some of which defy Homer. At once, idea is pitted
against idea, and the students must make up their own minds, judge, and choose.
Societies rarely honor their Socratic spirits. Athens, irritated beyond
tolerance by his insistent criticism, sent its greatest philosopher to his
death. Still, no educational theory that lacks such a Socratic counterpoint can
hope to free the young to think new thoughts, to become new people, and so to
renew the culture.
In a time when our schools
are filling up with advanced educational technology, it may seem almost
perverse to go in search of educational ideals in ancient and primitive
societies that had little else to teach with than word of mouth. But it may
take that strong a contrast to stimulate a properly critical view of the
computer’s role in educating the young. At least it reminds us that all
societies, modern and traditional, have had to decide what to teach their children [217] before they could ask how to teach them. Content before means,
the message before the medium.
The schooling of the young
has always been a mixture of basic skills (whether literacy and ciphering or
hunting and harvesting) and high ideals. Even if our society were to decide
that computer literacy (let us hope in some well-considered sense of that
much-confused term) should be included among the skills we teach in the
schools, that would leave us with the ideals of life still to be taught. Most
educators surely recognize that fact, treating the computer as primarily a
means of instruction. What they may overlook is the way in which the computer
brings with it a hidden curriculum that impinges upon the ideals they would
teach. For this is indeed a powerful teaching tool, a smart machine that
brings with it certain deep assumptions about the nature of mentality. Embodied
in the machine there is an idea of what the mind is and how it works. The idea
is there because scientists who purport to understand cognition and
intelligence have put it there. No other teaching tool has ever brought
intellectual luggage of so consequential a kind with it. A conception of
mind—even if it is no better than a caricature—easily carries over into a
prescription for character and value. When we grant anyone the power to teach
us how to think, we may also be
granting them the chance to teach us what
to think, where to begin thinking, where to stop. At some level that
underlies the texts and tests and lesson plans, education is an anatomy of the
mind, its structure, its limits, its powers and proper application.
The subliminal lesson that
is being taught whenever the computer is used (unless a careful effort is made
to offset that effect) is the data processing model of the mind. This model, as we have
seen, connects with a major transition in our economic life, one that brings us
to a new stage of high tech industrialism, the so-called Information Age
with its service-oriented economy. Behind that transition, powerful
corporate interests are at work shaping a new social order. The government
(especially the military) as a prime customer and user of information
technology is allied to the corporations in building that order. Intertwined
with both, a significant, well-financed segment of the technical and
scientific community—the specialists in artificial intelligence and cognitive
science—has lent the computer model of the mind the sanction of a deep
metaphysical proposition. All these forces, aided by the persuasive skills
of the advertisers, have fixed upon the computer as an educational instrument;
the machine [218] brings that formidable constellation of social interests to
the classrooms and the campus. The more room and status it is given there by
educators, the greater the influence those interests will have.
Yet these are the interests
that are making the most questionable use of the computer. At their hands, this
promising technology—itself a manifestation of prodigious human imagination and
inventiveness—is being degraded into a means of surveillance and control, of
financial and managerial centralization, of manipulating public opinion, of
making war. The presence of personal computers in millions of homes, especially
when they are used as little more than trivial amusements, does not in any
meaningful way offset the power the machine brings to those who use it for
these purposes.
Introducing students to the
computer at an early age, creating the impression that their little exercises
in programming and game playing are somehow giving them control over a powerful
technology, can be a treacherous deception. It is not teaching them to think in
some scientifically sound way; it is persuading them to acquiesce. It is
accustoming them to the presence of computers in every walk of life, and thus
making them dependent on the machine’s supposed necessity and superiority.
Under these circumstances, the best approach to computer literacy might be to
stress the limitations and abuses of the machine, showing the students how
little they need it to develop their autonomous powers of thought.
There may even be a sound
ecological justification for such a curriculum. It can remind children of their
connection with the lively world of nature that lies beyond the industrial
environment of machines and cities. Sherry Turkle observes that, in times past,
children learned their human nature in large measure by comparing themselves to
the animals. Now, increasingly, “computers with their interactivity, their
psychology, with whatever fragments of intelligence they have . . . bid to take
this place.”[21] Yet it may
mean far more at this juncture in history for children once again to find their
kinship with the animals, every one of which, in its own inarticulate way,
displays greater powers of mind than any computer can even mimic well. It would
indeed be a loss if children failed to see in the nesting birds and the hunting
cat an intelligence as well as a dignity that belongs to the line of
evolutionary advance from which their own mind emerges. It is not the least
educational virtue of the traditional lore and legends that so much of it
belongs to the pre-industrial era, when the realities of the nonhuman world
were more vividly present. [219] How much ecological sense does it make to rush
to close off what remains of that experience for children by thrusting still
another mechanical device upon them?
There is a crucial early
interval in the growth of young minds when they need the nourishment of value-bearing
images and ideas, the sort of Homeric themes that open the adventure of life
for them. They can wait indefinitely to learn as much as most schools will ever
teach them about computers. The skills of unquestionable value which the
technology makes available—word processing, rapid computation, data base
searching—can certainly be saved for the later high school or even college
years. But once young minds have missed the fairy tales, the epic stories, the
myths and legends, it is difficult to go back and recapture them with that
fertile sense of naive wonder that belongs to childhood. Similarly, if the
taste for Socratic inquiry is not enlivened somewhere in the adolescent years,
the growing mind may form habits of acquiescence that make it difficult to get
out from under the dead hand of parental dominance and social authority.
As things now stand, there
is a strong consensus abroad that our schools are doing a poor to mediocre job
of laying these intellectual foundations. The reasons for the malaise of the
schools are many. Teachers are often overworked and under-appreciated; many Students
come to them bored, rebellious, distracted, or demoralized. Some of the
children in our inner cities are too disadvantaged and harassed by necessity to
summon up an educative sense of wonder; others may have been turned prematurely
cynical by the corrupted values of commercialism and cheap celebrity; many,
even the fortunate and affluent, may be haunted by the pervasive fear of
thermonuclear extinction that blights all our lives. The schools share and
reflect all these troubles; perhaps, at times, the troubles overwhelm the best
efforts of the best teachers, driving them back to a narrow focus on basic
skills, job training, and competitive grading. But it is at least worth
something to know where the big problems lie and to know there is no quick
technological fix for them. Computers, even when we reach the point of having
one on every desk for every student, will provide no cure for ills that are
social and political in nature.
It may seem that the
position I take here about the educational limits of the computer finishes with
being a humanist’s conservative appeal in behalf of the arts and letters. It is
that. Scientists and [220] technicians, whose professional interests tend to
make them computer enthusiasts, may therefore see little room for their values
in the sort of pedagogy I recommend. But as the story of Descartes’s angel
should remind us, science and technology at their highest creative level are no
less connected with ideas, with imagination, with vision. They draw upon all
the same resources of the mind, both the Homeric and the Socratic, as the arts
and letters. We do not go far wrong from the viewpoint of any discipline by the
general cultivation of the mind. The master ideas belong to every field of
thought. It would surely be a sad mistake to intrude some small number of pedestrian
computer skills upon the education of the young in ways that blocked out the
inventive powers that created this astonishing technology in the first place.
And what do we gain from any point of view by convincing children that their
minds are inferior to a machine that dumbly mimics a mere fraction of their
native talents?
In the education of the
young, humanists and scientists share a common cause in resisting any theory
that cheapens thought. That is what the data processing model does by closing
itself to that quality of the mind which so many philosophers, prophets, and
artists have dared to regard as godlike: its inexhaustible potentiality. In
their search for “effective procedures” that can be universally applied to all
aspects of culture, experts in artificial intelligence and cognitive science
are forced to insist that there is nothing more to thought than a conventional
mechanistic analysis will discover: data points shuffled through a small
repertory of algorithms. In contrast, my argument in these pages has been that
the mind thinks, not with data, but with ideas whose creation and elaboration
cannot be reduced to a set of predictable rules. When we usher children into
the realm of ideas, we bring them the gift of intellectual adventure. They
begin to sense the dimensions of thought and the possibilities of original
insight. Whether they take the form of words, images, numbers, gestures, ideas
unfold. They reveal rooms within rooms within rooms, a constant opening out
into larger, unexpected worlds of speculation.
The art of thinking is
grounded in the mind’s astonishing capacity to create beyond what it intends,
beyond what it can foresee. We cannot begin to shape that capacity toward
humane ends and to guard it from demonic misuse until we have first experienced
the true size of the mind.